On March 6, 1970, at the close of the Second International Free Composers Tribune in Prague, the final composer to be represented at the conference, Luigi Nono, spoke for more than 10 minutes before a large audience of mostly Czech musicians, vigorously criticizing my score for the short film “Pour,” which preceded his presentation. Although the protocol of the tribune permitted each composer only 10 minutes to speak about his or her own music, Nono took those 10 minutes to speak about mine, concluding with a scathing condemnation of my use of vernacular music.
Nono then went on for another 10 minutes about the making of his own work, especially pointing out the theoretically correct choice of the pre-recorded sounds he had employed. He then played a tape of his composition “Non Consumiamo Marx.” When the piece was over there were three people left in the hall at the Janacek Composers’ Club at 3 Besedni Street: Luigi Nono, Mr. Okurka (the technician who operated the tape recorder and sound system) and me.
Worth a read–lots of remembrances and insights, with recordings and a stream of Bresnick’s score for the film ‘Pour.’